Adrienne Albert Creative Page
ADRIENNE ALBERT BIOGRAPHY
Long
a collaborator with other composers as a singer, (Igor Stravinsky, Leonard
Bernstein, Philip Glass and Gunther Schuller to name a few), Adrienne Albert began composing her own
music in the 1990s. A graduate of UCLA in music and the child of European
trained professional violinists, Adrienne began studying the piano at age 4 and
composition at age 10. Her piano teachers included Jacob Gimpel and Aube Tzerko
in Los Angeles, and Joanna Graudan at the Aspen Music School. Composition studies with Leonard Stein
preceded a lengthy hiatus performing other people’s music. Returning to Los
Angeles after years of working in the New York music scene, she returned to
UCLA in the 1990s and received a Certificate in Film Scoring determined to
write both instrumental and vocal music for the concert stage. She studied composition with Stephen
Mosko at CalArts and orchestration with Albert Harris. Since then, her concert works have been performed throughout the United
States, Europe, Thailand, Mexico, China and South Africa. Among numerous
commissions, awards and grants, Albert was the recipient of a 2006 National
Endowment for the Arts grant in conjunction with the American Composers Forum
for a Continental Harmony Project in Alaska. “An Alaskan Symphony”, a work in three movements for choir
and orchestra was premiered in Alaska in April of 2007. “Animalogy” for Woodwind Quintet was a
2007 Winner of the Aeros Quintet Competition and was performed in Carnegie
Hall’s Zankel Hall in May of 2008.
She is Composer-In-Residence at Cal State University, Fresno, in
October, 2009 and was Composer-in-Residence at the Ucross Foundation in October
of 2007. Recent commissions and
premieres include chamber works for Definiens Project (2009), The Newstead Trio
(2009) as part of the grand opening of the new Pennsylvania Academy of the Arts
building designed by Philip Johnson in Lancaster, PA., Chamber Music Palisades
(2008), Duo for Low Flutes (2008) for Peter Sheridan, Contrabass flutist for
his upcoming CD, “(Mis)Conceptions”,
“Wind Tides” commissioned by trombonist Andrew Malloy (2008), Pacific
Serenades (2007), and St. Bedes Episcopal Church (2007). Adrienne toured China
in the summer of 2007 with the Newstead Trio as their composer-in-residence
meeting with gifted young musicians along the Silk Road. She has been the
recipient of AMC Composer Assistance grants, numerous Meet the Composer grants,
and consecutive ASCAP Awards. She
is also the recipient of The 2008 ACME Award, a prestigious award given by Mu
Phi Epsilon for outstanding achievement. Other commissions include works for
The Henry Mancini Institute at which she conducted the premiere of her
orchestral work in Long Beach, CA, three choral commissions from The Gregg
Smith Singers (she was Composer-in-residence at the 34th Annual
Adirondacks American Music Festival in the summer of 2006), and several
orchestral works commissioned by The Los Angeles Doctors Symphony Orchestra,
Ivan Shulman, Music Director. Her
orchestral works,“Western Suite” and “Courage”, have been performed by numerous
orchestras in the United States including The Virginia Symphony. Her works have been recorded for
Centaur Records, Little Piper and ABC Classics, and she has recorded numerous
works on Sony. Her String
Orchestra works, “Boundaries” and “Interiors” will be released on the Naxos
label In the spring of 2010. ============================================= Vocal Credits Ms.
Albert’s vocal career began while attending UCLA. While singing with The Gregg Smith Singers, Igor Stravinsky discovered her “perfect
boy alto” voice and hired her to be the alto soloist on his “Mass”. She worked
with the Maestro on many occasions and recorded three more solo recordings with
him, including his “Four Russian Songs For Flute, Harp, Guitar, and Voice”,
“Cantata”, and Stravinsky’s last song, “The Owl And The Pussycat”, with Robert
Craft accompanying. Ms.
Albert enjoyed a long working relationship with Leonard Bernstein as a singer
and contractor on his celebrated recordings of “Mass”, (the premiere of which
opened the Kennedy Center in Washington, DC), and “West Side Story”, on which
she contracted the Jets and Sharks, performing with Kiri Te Kanawa and Jose
Carreras. She also sang with Barbara Hendricks at Bernstein’s 70th birthday celebration
in Tanglewood under the baton of John Williams. Other solo recordings include
songs of Charles Ives with The Columbia Symphony and Phillip Glass’ opera, “The
Photographer”, with Glass conducting. At
Avery Fisher Hall, she performed with Gunther Schuller and the New York
Philharmonic in a premiere of Schuller’s “Symphonia for Four Voices and
Orchestra”. As a studio singer in New York and Los Angeles, Ms. Albert
performed on hundreds of television and radio commercials, sang on countless
film scores and worked with such diverse artists as Pablo Casals, Benny Golson,
Dave Grusin, Lieber and Stoller, Zubin Mehta, Frank Sinatra, and Michael Tilson
Thomas. Organizations Ms.
Albert is the current Co-President of the Los Angeles Alumni Chapter of Mu Phi Epsilon Music Fraternity, a member
of the LA Composers Forum, SAG, AFTRA, The American Music Center, American
Composers Forum, International Alliance for Women In Music (IAWM), The Dominant
Club, NACUSA and ASCAP. For more information about Adrienne Albert, visit her
website at: http://www.adriennealbert.com. | ||
Updated:
December 21, 2009
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